The best part of starting a new quilt – especially a mystery quilt – is to rummage through your stash and pull out the fabric. I had fun pulling out all my large scale prints and finding matching accent and backgrounds.
Alison’s fabric requirements are quite flexible. Head over to her blog for detailed “clues” on how to pick your fabric – scale of prints, contrast, variety, etc. She is making two quilts along with us. Her fabric pull is a good clue as well.
This is my fabric pull. The bright colorful butterfly print is Timeless Treasures Monterrey – Butterfly wings by Chong A Hwang. The mottled fuchsia/magenta is Timeless Treasures Studio-C basics in lipstick (I think). I have an assortment of blues and teals for the coordinating fabrics – most of them are from FQ bundles of Alison Glass Sun print 2018 or Tula Pink True Colors. The background is Kona white.
I wanted to make the twin size but the butterfly fabric is just short of the 1.5 yards needed for twin. Alison has an answer to that too in her blog – She says make a smaller size and then add borders or additional blocks. I may just do that.
Looking forward to a colorful and fun mystery quilt!
I started this quilt with a scrappy B&W lone star center back in the summer of 2017. I planned on making it into a wall hanging, so I quilted it with straight lines in the star and free-motion swirls and feathers in the background space.
Later, I decided to make it into a quilt for a young man by name Anirudh. We’ve known Anirudh since he was a baby. He and my son, Anshul ,were buddies from preschool. Anirudh graduated from the University of Texas, Austin recently. Burnt orange is their color.
I played around with different layouts and decided to just do rectangles using several black, white and grey fabric. I had some very interesting B, W, G fabric including one with chess pieces, several with music notes and one from Zen Chic called Modern backgrounds, which had geometry figures and equation. Anirudh graduated with an engineering degree, and he played chess and the viola in middle school and high school. Going with the burnt orange theme, I used orange/rust solids and prints as sashing between the rectangles.
Since I had already quilted the center star, I quilted the top and bottom rectangle panels, as well as two solid white panels for either sides of the star separately. I used a variety of free-motion designs, sometimes just followed the motifs in the B&W prints.
The backing is a dark grey – the quilting shows better in the back than the front. Since I quilted each section separately, I put them together using a quilt-as-you-go (QAYG) technique. The orange sashing in the back makes the back very interesting.
Be sure to visit all the other bloggers in the blog hop. Go back to Clara’s blog – Creatin In the Sticks for a giveaway.
Meet “Justice Everywhere”. She spells out the famous Dr. Martin Luther King quote “Injustice anywhere is a threat to justice everywhere” using the Braille alphabet. This was my entry for the two-color challenge at QuiltCon 2019. It did not get selected for QuiltCon but it still remains my favorite quilt to date. I stare at it amazed that I designed and made something like this and, at the same time, finding ways to change or make it better.
The idea for a statement quilt came to me after I saw a Thomas Knauer exhibit at the Houston Quilt Festival in 2017. I had seen a plate in Braille at a museum, and found a certain visual rhythm and intrigue in Braille.
This quote by Dr. Martin Luther King has been one of my favorites for years. It is a constant reminder that, while we have come a long way in making the world a more just place, we are not done till there is justice everywhere and for everyone.
I picked hot pink and black to honor the countless courageous that have come out and talked about their harrowing experiences of sexual assault and sexual harassment as part of the #metoo movement. They have faced skepticism and hostility for coming out with their stories. I hope that the voices of these courageous #metoo women make the world a safe and just and better place for our daughters and granddaughters.
The pink pieces are 1.5″ squares finished. 0.5″ black strip between squares in a letter and 1″ black strips between letters in a word. I did Trapunto-style quilting to give extra body to the pink squares. I used two layers of a puffy wool batting and quilted around the outline of each square, and then cut out the batting from all but the pink squares. Then I quilted the entire quilt as usual using a black polyester batting.
I used the channel lock on my Grace Continuum frame to quilt closely spaced straight lines. When the lines hit a pink square, I quilted around the square and continued the straight line. When I got bored, I offset the lines by an inch or two to create small “ripples” in the pattern. Black backgrounds are notoriously hard to photograph. This quilt looks so rich and dynamic in person that the pictures. I found it so hard to get the nuances of color and texture with the black background. Any tips on photographing black is truly appreciated.
Fabric: Kona Cotton jet black Kona cotton pomegranate Batting: 100% wool – Hobbs Tuscany for Trapunto 100% polyester Quilters Dream in black Back: Kona cotton pomegranate Thread for quilting: Superior threads So Fine 50 wt in black
Meet Rainbow Stars – made from a scrumptious fat quarter bundle of True Colors by Tula Pink. I was hoarding this bundle of fabric for many months, waiting for the the perfect pattern/idea to strike. This is also special because it is my first ever commissioned quilt. My college friend Rupa in Australia asked me to make a quilt for her friend. She looked over my quilts and a few on Pinterest and said she wanted something modern with bright colors.
I had just got myself a Tri-recs ruler and put it to work. Tri-recs makes it super easy to make isosceles triangles that fit into squares. They almost look like equilateral triangles but they are not – the base angle is about 63.5 degrees.
I simple laid them out to make interlocking stars, keeping like colors together. The top went together quite quickly.
I quilted three curvy lines inside each triangle and an echo line around the triangles. This left a nice hexagon inside each triangle. I had fun coming up with a different design for each hexagon.
I used some dot-to-dot designs to emphasize the hexagon in some or modify the hexagon in others.
I quilted some swirls and feathers and paisleys in the negative space on top and bottom.
Size: 60″ X 70″
Fabric: True Colors by Tula Pink, Kona cotton silver